Imagine ALEJANDRO JODOROWSKY being put in charge of the art department for Hollywood’s next batch of tent pole summer films, and you’ve dipped your toes in the waters of madness that make up these nightmarish film posters from Ghana. Yeah, I’m pretty much buying this unassuming book from Amazon, like, immediately.

From Epherma Assemblyman:

In the 1980s video cassette technology made it possible for “mobile
cinema” operators in Ghana to travel from town to town and village to
village creating temporary cinemas…

In order to promote
these showings, artists were hired to paint large posters of the films… The artists were given the
artistic freedom to paint the posters as they desired – often adding
elements that weren’t in the actual films, or without even having seen
the movies…

The artistic freedom that these artists were
given allowed for the creation of some very interesting and sometimes
bizarre posters that, as screenwriter Walter Hill wrote, were quite
often “more interesting than the films.”

Here are a few favorites from the site:

I’m guessing the Marmaduke movie in development ain’t gonna look anything like this. Which is a shame, cause that’s the only way in hell I’m going to see it. But it’s good to see Brian Warner getting work

You remember the theme song for this movie: “Charles in Charge/Up on Days/And Protecting John Connor.” Sure, it wasn’t very catchy, but neither was the alternate title for this Ghana version: “Scott Baio is 45 and Has a Penis Pistol and Rosy Red Nipples.”

This showcases a famous scene from Ghana’s “Poltergiest 2: The Giest is Loose.” I speak, of course, of the finale when a bottle of soda orgasms a blood-drooling demon that craps chainsaws which, in turn, rain down on Craig T. Nelson’s waiting sedan. Then Demon Verne Troyer looks on in delight as Baby Snow White fondles her dollie’s breasts. Splendid piece of cinema. Splen-DID.

This was sort of a catch all poster for Where the Wild Things Are, Twilight: New Moon and Old Dogs (the naked dwarf being Seth Green, and the horned monster being a gorilla rocking him to death. Great comedy: the universal language!)

Dear Ghana House Party poster painter guy: You nailed it, brother. Take a bow. Drop that makeshift paintbrush and let some other fool finish the C.H.U.D. mock-up. You’ve more than earned your weight in goat meat today.

I can conclude that “the spy” refers to the man with the burned off face and “me” refers to the shrieking harpy growing out of his ass. But what I can’t figure out is why this movie isn’t called “I’M ALTERNATELY TERRIFIED OF THE SPY WHO LOOKS LIKE PETER LORRE AND THE FISH WITH THE HAPHAZARDLY CIRCUMCISED TAIL FIN.”

Patrick Swayze, Kelly Lynch and Sam Elliott look better than ever! Now THIS is a poster the screams “blockbuster” the world over! Genius, GENIUS piece of promotional art.

…Ok, ok…I drew this. But If someone could please pass it along to the guy in Ghana hiring people to paint American movies on canvas flour sacks, I’d be forever in your debt. I hear that economy’s booming!

[Thanks to Jesse Thompson for the tip!]

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